art ~ spirit ~ transformation
e*lix*ir

e*lix*ir #15, Special Issue on Iran
Winter 2022
Art
 

TABLE OF CONTENTS


Editorial

• “Their only crime...”

Holy Soil

• Holy Soil: The Endurance of the Bahá’ís of Iran by Ighan
• Hadigheh: A Bahá’í House of Worship in Tehran by Saba
• The Blue Prayer Book by Hannan Hashemi
• In Front of the School by Nava
• The Roll-Away Pumpkin by Tanin Azadi
• The Castle at Maku by Nogol Sadri

The Scent of Roses

• The Scent of Roses by Nooshin Mavaddati
• A Great Green Enigma by Mehrsa Mastoori
• My Tiny Fruit Garden by Foad Bahrami
• My Blessed Spot by Hannan Hashemi
• Spring in My Grandmother’s Yard by Morvarid Ighani
• The Garden of Memories by Sama Khalili

Candles in the Darkness

• The Candle in My Family by Alhan
• A Shower of Bullets by Daniel Sabet Rasekhi
• From Thief to Benefactor by Foad Bahrami
• The Green Handprint by Nava
• The Kolahduz of Barfurush by Sama Khalili
• An Immortal Man by Taranom
• The Whisper by Andisheh Taslimi

Poetry

• From A Tale of Love by Mahvash Sabet
translated by Shahin Mowzoon and Sandra Lynn Hutchison

Personal Reflections on Bahá’í Texts

• Calamity: The Path to Eternity by Hannan Hashemi
• The Way Home by Daniel Sabet Rasekhi
• The Light in the Darkness by Sama Khalili
• From Your Inmost Being by Taraneh

Letters

• A Small Light in a Dark Room by Andisheh Taslimi
• Hope for the Future of Iran by Mehrsa Mastoori

Art

• Painting and Interview with Shahriar Cyrus by Mehrsa Mastoori
• Resilience by Lynn Miller


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Resilience

A Quilt by LYNN MILLER


This quilt, which I have entitled “Resilience,” was created to honor the Bahá’ís of Iran, who are daily faced with the struggle of practicing their faith in an antagonistic environment. Their plight is one of confinement and subjugation. Yet, they are resilient in the face of this repression and continue to serve the Cause of Bahá’u’lláh. From the outside of this prison, the rest of world joins hands in prayer for their release and freedoms.

To express this in cotton and thread, I chose the nine-pointed Bahá’í star to represent those faithful and courageous ones. The star is wrapped in the prayers of the world, framed, as it were, in a multi-colored fabric. Although there is a maze of criss-crossed bars surrounding the star, rays of stitching shine out from the center as well as reach into that center.

Prayers for understanding and compassion, traveling both inward and outward, give light to those who are living under these punishing circumstances.



Lynn Miller
Artist Statement:   Throughout my forty years of quilting, I’ve loved to create my own designs from traditional quilt patterns, and, recently, I have become fascinated by art quilts and modern quilts with their nod to combinations of fabrics, textures and decorative stitches. I also enjoy bringing life to an antique quilt or stack of quilt blocks found in someone’s attic. The most rewarding part in any quilting venture is collaboration with another quilter on our treasured work.
Bio:   I come from a family of quilters. Grandmothers, aunts, moms, daughters, and even granddaughters and grandsons — all have loved the creativity and excitement of quilting. Since retiring from teaching primary school, I have been participating more and more in guild meetings, quilt shows, and workshops. Over the past ten years, I have completed quilts for Quilts of Valor and for our local quilt club’s service, Comfort Quilts. I have donated quilts to the Linus Project and to local charities. In 2018, I entered the Quilt for Change/Water is Life challenge. It was my first such entry and a great honor to have had my quilt chosen for this magnificent project. The exhibit was shown in Belgium, Italy, and in six cities of the United States. Since then, I have looked to the Bahá’í Writings for inspiration for my quilting projects and often worked with quotations in the creation of the work.