art ~ spirit ~ transformation
e*lix*ir

e*lix*ir #15, Special Issue on Iran
Winter 2022
 

TABLE OF CONTENTS


Editorial

“Their only crime...”

Holy Soil

Holy Soil: The Endurance of the Bahá’ís of Iran by Ighan
Hadigheh: A Bahá’í House of Worship in Tehran by Saba
The Blue Prayer Book by Hannan Hashemi
In Front of the School by Nava
The Roll-Away Pumpkin by Tanin Azadi
The Castle at Maku by Nogol Sadri

The Scent of Roses

The Scent of Roses by Nooshin Mavaddati
A Great Green Enigma by Mehrsa Mastoori
My Tiny Fruit Garden by Foad Bahrami
My Blessed Spot by Hannan Hashemi
Spring in My Grandmother’s Yard by Morvarid Ighani
The Garden of Memories by Sama Khalili

Candles in the Darkness

The Candle in My Family by Alhan
A Shower of Bullets by Daniel Sabet Rasekhi
From Thief to Benefactor by Foad Bahrami
The Green Handprint by Nava
The Kolahduz of Barfurush by Sama Khalili
An Immortal Man by Taranom
The Whisper by Andisheh Taslimi

Poetry

From A Tale of Love by Mahvash Sabet
translated by Shahin Mowzoon and adapted by Sandra Lynn Hutchison

Personal Reflections on Bahá’í Texts

Calamity: The Path to Eternity by Hannan Hashemi
The Way Home by Daniel Sabet Rasekhi
The Light in the Darkness by Sama Khalili
From Your Inmost Being by Taraneh

Letters

A Small Light in a Dark Room by Andisheh Taslimi
Hope for the Future of Iran by Mehrsa Mastoori

Art

Painting and Interview with Shahriar Cyrus by Mehrsa Mastoori
Resilience by Lynn Miller


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e*lix*ir

issue #15, Iran: Special Issue, Winter 2022


The Twenty-Fifth of December 1981 by Shahriar Cyrus
A portrait of seven of the eight Bahá’ís who were executed without trial in Iran.

“Thou knowest full well, O my God, that their only crime is to have loved Thee.” – Bahá’u’lláh, Prayers and Meditations, XX