What use art? A stretcher
to wheel in the wounded —
a monument of blossoms —
a bit of latticework on the temple —
each painting, a record of a psychic diver —
each poem, an artifact —
life to be lived as a symphony or
maybe just some chamber music for the few —
each breath, a brush stroke —
each day, a dance.
You lean into your part
in life’s symphony
with Concert Zen — acute,
focused, engaged —
you anticipate, obey
the conductor’s baton —
you listen for your part
in the ensemble —
as Dizzy Gillespie said
of be-bop, you play
so everybody else sounds good —
no matter how minor
the part, the playing needs to be
musical — you demand of yourself
an attentiveness that is prayer —
rehearsal sense in the every day —
solo or not, to make music is worship.
I sing of the planet
rimmed with light
the Untrammeled, the Unconditioned,
and a horizon of possibility.
A classical Indian sitar
player improvises for hours
and the Native American flute
and West African drum players
celebrate the coming and
going of day.
Deep into the evening
I listen to Chopin Nocturnes
or Bach keyboard suites
and reflect on the day
as the music pours over me,
and lean toward the auburn dawn.