art ~ spirit ~ transformation
e*lix*ir

e*lix*ir #18, Special Ten-Year Anniversary Issue
Twin Birthdays 2025
 

TABLE OF CONTENTS


Editorial

Weaving the Threads...

Feature

The Beautiful Foolishness of Things — A collaborative work by poet Sandra Lynn Hutchison, composer Margaret Henderson, and painter Inger Gregory

Reading

Global Poetry Reading Honors ‘Abdu’l-Bahá

The Writing Life

Translating Rumi
by Anthony A. Lee
Joining the Circle: Art and Spirituality at Little Pond and “A Prayer in Nine Postures”
Notes on the Poetic Process
by Michael Fitzgerald

Poetry

The e*lix*ir Poetry Collective Writes the Creation
James Andrews
Harriet Fishman
Sandra Lynn Hutchison
A.E. Lefton
Imelda Maguire
YoungIn Doe

Fiction

Ivory and Paper
by Ray Hudson
The Bluest Part of the Sky by Tanin

Play

Tahereh and Jamshid: A One-Act Play by Sandra Lynn Hutchison

Essay

Margaret Danner, the Black Arts Movement, and the Bahá’í Faith
by Richard Hollinger

Memoir

An Invisible Wave
by Elizabeth M. Green

Reflections on Bahá’í Texts

Our Verdant Isle by Sandra Lynn Hutchison
The Mystery of Proximity and Remoteness
by A. Philip Christensen

Translation

“If I Should Gaze Upon Your Face” by Tahirih
translated by Shahin Mowzoon and Sandra Lynn Hutchison

Letters

A Small Light in a Dark Room by Andisheh Taslimi
Dreaming of a Better Iran: A Letter to Our Fellow Citizens by a Few Bahá’í Students

Interviews

Painting and Interview with Shahriar Cyrus by Mehrsa Mastoori
Art and the Creative Process: An Interview with Hooper C. Dunbar by Nancy Lee Harper

Retrospective

Brilliant Star: Looking Back on 36 Years of an Award-Winning Children’s Magazine
by Susan Engle

Voices of Iran

Riding a Purple Bicycle
in the City of Isfahan

by Sahba
What Mona Wanted: A Prayer for Resilience by Kimiya Roohani

Comic

Ruhi & Riaz by Eira

Art

Paintings Revisited
Textile Arts Revisited


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Bev Rennie

SANDRA LYNN HUTCHISON

Garden After Coma

I awoke and there it was —
the garden not a garden but a green
oasis of salvation, a wavering image
on the roof of a cave illuminated by a single
candle, a phantom reflection of my face in a stream,
a budding of branches after long months of hard rain,
breeding ground for late-arriving robins, place of rendezvous
for a conclave of earth worms, sweet refuge for a phalanx of ants
in sure formation, dwelling place for a family of gaudy perennials,
abode of the sunflower, magnet for pools of fallen leaves never raked,
fragrant berth in which to lie at the beginning and end of a long journey,
echo of a dream of childhood, its wild joy lingering like a mist that covers
everything without warning early in the morning, a land promised and given,
a single point of adoration — this garden, this kingdom, this haven, this heaven.


Earthly Things

Long before we were made
the earth spilled over with names —
a wave of yearning gestures
to remember love.

The Adam we speak of
didn’t precede the trees,
their green announcement
of heart-shaped leaves

rising out of the maelstrom
into articulate form
graced with blossoms,
fruit and seeds.

The world was botanical —
vegetal in nature,
God made the gourd
and it was fresh

could be roasted over a fire
or boiled until its flesh
released the nutty fragrance
of earth into air.

It was perpetual summer
in those days
before the fallen winter
and we set out

with wandering steps
and slow
to make our way
through what was left.

Then came the naming
of the names,
when we stood apart
from plants and birds,

living things we loved,
called out their names,
like distant relatives
come to claim kin —

common zinnia, Norway maple,
blue spruce, wood thrush,
spring warbler,
dove.


Bio:  Sandra Lynn Hutchison is the founder and editor of e*lix*ir. Her bio can be found on the About Us page of the journal.