art ~ spirit ~ transformation
e*lix*ir

e*lix*ir #18, Special Ten-Year Anniversary Issue
Twin Birthdays 2025
 

TABLE OF CONTENTS


Editorial

Weaving the Threads...

Feature

The Beautiful Foolishness of Things — A collaborative work by poet Sandra Lynn Hutchison, composer Margaret Henderson, and painter Inger Gregory

Reading

Global Poetry Reading Honors ‘Abdu’l-Bahá

The Writing Life

Translating Rumi
by Anthony A. Lee
Joining the Circle: Art and Spirituality at Little Pond and “A Prayer in Nine Postures”
Notes on the Poetic Process
by Michael Fitzgerald

Poetry

The e*lix*ir Poetry Collective Writes the Creation
James Andrews
Harriet Fishman
Sandra Lynn Hutchison
A.E. Lefton
Imelda Maguire
YoungIn Doe

Fiction

Ivory and Paper
by Ray Hudson
The Bluest Part of the Sky by Tanin

Play

Tahereh and Jamshid: A One-Act Play by Sandra Lynn Hutchison

Essay

Margaret Danner, the Black Arts Movement, and the Bahá’í Faith
by Richard Hollinger

Memoir

An Invisible Wave
by Elizabeth M. Green

Reflections on Bahá’í Texts

Our Verdant Isle by Sandra Lynn Hutchison
The Mystery of Proximity and Remoteness
by A. Philip Christensen

Translation

“If I Should Gaze Upon Your Face” by Tahirih
translated by Shahin Mowzoon and Sandra Lynn Hutchison

Letters

A Small Light in a Dark Room by Andisheh Taslimi
Dreaming of a Better Iran: A Letter to Our Fellow Citizens by a Few Bahá’í Students

Interviews

Painting and Interview with Shahriar Cyrus by Mehrsa Mastoori
Art and the Creative Process: An Interview with Hooper C. Dunbar by Nancy Lee Harper

Retrospective

Brilliant Star: Looking Back on 36 Years of an Award-Winning Children’s Magazine
by Susan Engle

Voices of Iran

Riding a Purple Bicycle
in the City of Isfahan

by Sahba
What Mona Wanted: A Prayer for Resilience by Kimiya Roohani

Comic

Ruhi & Riaz by Eira

Art

Paintings Revisited
Textile Arts Revisited


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Bev Rennie

JAMES ANDREWS

Manzanita

Following a trail at Point Lobos
I come upon it
suddenly
a living flame of red amidst the coastal shrub,
solitary

its bark peeling from sculpted branches,
caught in their turning by the August sun
revealing burnished
copper

I catch my breath,
my hand, tentative,
touches the living wood,
follows the hidden notes of an earth long here
and I hear a song
I had forgotten.

I follow the trail to China Beach
leaving behind the
manzanita
singing.


Hiking in the Ventana Wilderness

Mountain snowmelt plummets
over boulders
heaved by earth’s tectonic thrusts

courses over
rocks
hewn by ice and racing water
channeled within earthen banks.

Stones
polished by the Big Sur River
flow
invite a crossing to our campsite.

Boots
laced up and ready
give confidence

falsely.

First steps yield to
the slick surface
and the ankle twists
in pain.

Where is the benign Mother now?

The running ice stream answers
Here!

Tomorrow
carrying the wisdom of flowing waters
I will walk.


Where Sunlight Lives

A light breeze wafts
through the garden

lavender blossoms yield willingly
to the nectar thirsting honey bees

a hummingbird hovers above
to honor their homecoming.

Tomorrow there will be honey
again.



James Andrews

Artist Statement:   In writing poetry, I hope to contribute to God-inspired, gentle, and heartfelt social discourse, and to feed and express my artistic spirit. I look for the metaphors linking spiritual and physical reality, and for the subtleties in personal interactions that illuminate spiritual truths.


Bio:   James Andrews is a native Californian who grew up in the San Francisco Bay Area. He and his wife, Patricia, live in San Jose, California. Theirs is an international, multi-cultural family, with nieces and nephews around the world.